Kathie Li


Hello! I'm Kathie.

I'm a NYC-based artist, designer, and changemaker. ​Storytelling is my passion, and my curiosity drives me to ​explore our interconnectedness as human beings, ​transcending physical boundaries.

I am obsessed with geometry. I particularly enjoy bridging ​the realms of the "unreal" through illustrations and ​crafting with the "real" found in documentaries and ​photographs. I fuse interactive technology, visual art, ​sound, text, and documentaries to connect the ​experiences of specific groups with the global ​community, creating collective memories.

The "Unreal" + The "Real"

The Rhythm of Nüshu

Part I

The Rhythm of Nüshu

Part II

The Rhythm of Nüshu

Part III

This project explores Nüshu, an extinct writing system created and ​exclusively used by women in villages in southern China. In a highly ​patriarchal society where women were denied access to formal ​education and literacy, local women ingeniously developed their own ​writing system for exchanging letters, poems, and songs. The Nüshu ​system resembles a harmonious blend of colors and music.


This creative project is divided into three parts. The first and second ​parts draw inspiration from Nüshu characters. I conducted research ​and learned to write characters imbued with meanings related to ​women and nature, such as "mother," "star," and "wind." I then ​experimented with various materials and recreated these characters ​as a tribute to the interconnectedness and beautiful bonds within the ​women's community.


The third part is a visual creation developed using TouchDesigner. ​The visualization is responsive to the symphony of "NU SHU – The ​Secret Songs of Women" by composer Tan Dun.


For women and girls who were forced into sexual slavery

by the Japanese Imperial Army before and during World War II

The Archive of Ianfu

Continuous, interlocking, and flexible

The female body,

being ripped,

but thrived.


The Archive of Ianfu

Part I The Female Body

Walking towards the unfathomable dark.

Embracing eternity.

Roads to be reborn,

with flowers and butterflies.


Life is a dream like a dream,

an illusion,

a drop of dew,

a flash of lightning.



The Archive of Ianfu

Part II A Dream like a dream

The Archive of Ianfu

Part III The A​rchive

The creative project, “The Archive of Ianfu (comfort women),” draws inspiration from the documentary “Twenty Two”. The goal of the project is to shed light ​on the stories of survivors – women who were forced into sex slavery by the Japanese Imperial Army during World War II, through their own narrations with ​the use of tactile, visual, and audio elements.


The first two parts of the project involve the redesign of damaged female reproductive organs through experimentation with various materials such as yarn, ​cotton, and paper. Fiber yarn is an ideal choice due to its continuous, interlocking, and flexible nature. It can be transformed into any desired shape while ​maintaining its essence, just as comfort women have displayed resilience and courage in their recovery journey. Despite the narration in different languages, ​women’s stories are interconnected.


The third part of the project consists of a documentary that incorporates a collection of interviews and testimonies, creating an archive of personal ​narratives. In this documentary, Kathie narrated the written stories, utilized p5.js to create dynamic background visuals, and incorporated background music ​featuring traditional Chinese and Korean instruments.

"This too shall pass."

Life Through the Peephole, March 2020 NYC lockdown

Game: The Powerpuff Girls

Processing

Sound reactive flower with bluetooth control

Circuit Playground Bluefruit, python, electronics (LED stip, etc.)

This installation explores the stereotypical challenges that women often face in the STEM field. I dedicated extensive time, investing three days ​a week for two months, to craft this piece using a Circuit Playground and electronic components. Despite my persistent efforts in debugging and ​repeated soldering of the LED strips, the light remained unlit. Failures in the building process are frequent, and the frustration is real. ​Nonetheless, I found immense satisfaction in the creative process.


Academic Writings


Liu Xiaoyang’s Dilemma in the Face of Mass Media and the State’s Propaganda,” Instructor: Yuhang Zhu, 2023


“Designing An Inclusive Lab,” Instructor: Professor Cyd Cipolla, 2023


“The Commodification of Humans in Colonial Korea and Modern South Korea,” Instructor: Professor Jaewoong Jeon & Kyle Nowak, 2023


“Comparing Night and Fog, Chronicle of a Summer, and Waltz with Bashir,” Instructor: Professor Joseph Dorman, 2022


“Comparing Women Portraits In Triumph of the Will and Man with a Movie Camera,” Instructor: Professor Joseph Dorman, 2022


“Cultural and Artistic Performances of Chinese Immigrants in New York City,” Instructor: Isaac Silber, 2021


“What is Melodrama?”, Instructor: Professor Michelle Castañeda, 2021


Raise the Red Lantern: Patriarchy and Women’s Social Status in 1920s China”, Instructor: Professor Mara Jebsen, 2019



Creative Writings